Pickpocket movie 20129/1/2023 And of course, Michel is very like an addicted gambler – Dostoevsky again – and he is gambling his liberty and perhaps his immortal soul. Watching Pickpocket again, I saw how Michel in many ways resembles a novitiate priest: troubled, stern, haunted by questions of sin and guilt, as a priest gains access to people’s souls, the thief wants intimate access to their money. Bresson hired a real pickpocket, Henri Kassagi, to teach the tricks to his cast and play one of the thieves: after the movie Kassagi became a stage conjuror, as he was now too well known to go back to his old trade. They also teach him how to pass the loot from man to man so no one, if spotted, will be found with the goods on him – even temporarily dropping the item into the pocket of another passerby if the heat is on, and then surreptitiously reclaiming it.īut Michel can’t help befriending a cop (Jean Pélégri) and regaling him with his theory of the thief as superman or existentialist hero, the criminal who does not deserve normal punishment. His pal Jacques (Pierre Leymarie) tries to set him up with respectable paying jobs, but Michel has become obsessed with the occult thrill of pickpocketing: he broods over a biography of the 18th-century Irish pickpocket-adventurer George Barrington, and meets up with a pickpocketing gang who school him in the sticky-fingered art of unbuckling watches and pinching wallets. (Michel is clearly an ancestor of Paul Schrader’s insomniac malcontents, but with his own monkish austerity.) Michel is plagued with nameless guilt about his elderly, unwell mother whom he cannot bring himself to visit, despite being urged by her young neighbour, Jeanne (Marika Green). The then non-professional actor Martin LaSalle was cast by Bresson as Michel, a gloomy young man who spends his days writing his journal in a seedy bedsit: a precursor for the prison cell for which he is destined. The andante pace of Pickpocket is part of its brilliance, part of its seriousness and its status as a cinema of ideas: a movie with something of Dostoevsky or Camus, or even Victor Hugo. On Metacritic, the film has a weighted average score of 35 out of 100, based on 11 critics, indicating "generally unfavorable reviews".Robert Bresson’s hypnotically intense and lucid movie-novella from 1959 is now revived as part of a director’s retrospective at London’s BFI Southbank, and whatever creakiness I thought I saw in this masterly film for its last UK re-release has vanished. On review aggregator website Rotten Tomatoes, the film holds an approval rating of 22%, based on 18 reviews, and an average rating of 3.8/10. Loosies has grossed $3,519 in North America, and $421,859 in other territories, for a worldwide total of $425,378. 'Pick Pocket' are being licensed by Cinema Management Group. The International distribution rights of 'Loosies' a.k.a. The film was rated PG-13 by Motion Picture Association of America for some sexual content, violence and language used in the film. The film was limited released on November 2, 2011, and wide released on Januand finally released on the DVD on March 13, 2012. The film was shot on location in Providence, Rhode Island, and New York. Tyler and Travis Atwood as Mickey / Mikey.William Forsythe as Captain Tom Edwards.Michael Madsen as Lieutenant Nick Sullivan.She gives him a chance to leave his daily life and take responsibility for his child. Synopsis īobby Corelli (Facinelli), a New York pickpocket, enjoys the free lifestyle he has until one day he is confronted by a former one-night stand, Lucy Atwood (Alexander), who informs him she is three months pregnant with his child. The film stars Peter Facinelli, Jaimie Alexander, Michael Madsen, Joe Pantoliano, William Forsythe, Christy Carlson Romano, Glenn Ciano, Vincent Gallo and Chad A. Loosies (also known as Love Is Not a Crime and Pick Pocket) is a 2012 romantic comedy-drama film written and produced by Peter Facinelli, and directed by Michael Corrente.
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